gill moore photography

Monthly Archive for June, 2008

What makes a great photograph? … “how long is a piece of string?”

This year, for the first time, I am entering the Shot Up North Awards.  These UK awards are for photographers based anywhere from the Midlands northwards including Scotland.  The Awards used to be affiliated to the Association of Photographers (AOP) however SUN is now a stand-alone organisation aimed at celebrating and promoting Northern photographers and their work.

I started to ponder what is the key thing that makes an image a great image.  First port of call was viewing some of the previous winning images from Shot Up North.  Though hugely inspiring, I was struck by the variety and disparate array of images selected for the Top 50 over the years.
Studying the photograph at first-hand is always the ideal and what usually happens is you have a gut reaction upon initial viewing and this surely provides the key to answering the question.
I then took a read of the always excellent blog by J M Colberg “Conscientious” which featured a really in-depth piece: “What Makes a Great Photo?” with many gifted photographers and creative’s discussing their own take on answering that question.  After that I just jotted down lots of random thoughts which I list below.

  • emotional kick “wow” factor/connection/memorable tho it also may not wow it could linger and not go away.
  • tells a story/intrigues/shows a voice
  • captures a moment
  • has a sense of style/atmosphere/beauty
  • makes you think/question/can challenge or inform
  • has a high degree of individuality/fresh perspective
  • compelling blend of colours/form/composition
  • intimate - can open a direct channel viewer/photographer.  It communicates.
  • evocative/memory
  • has depth, image encourages/demands repeat viewing
  • reveals something new of the subject; a person/object/environment
  • has an ability to move and touch the viewer
  • element of mystery
  • powerful … it transports you to another place

Sure, it is a bit like asking “how long is a piece of string” but it is such an interesting question with no right or wrong answer; just more for the mix and people react so differently and that it what is so fascinating.

UPDATE : Newer post featuring my Special Edition image and other winners at Shot Up North plus details of the SUN exhibition can be found here.

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Editors cover “An End Has A Start” photography by Idris Khan research from sleevage.com website


The days of purring over sleeve artwork are probably long gone for most music buyers nowadays but a good cover can still play a key part in packaging, branding and marketing a band. Over recent times a cover which consistently caught my eye was the Editors “The End has a Start” I don’t quite know why, but I liked the colours and the image and so I decided to investigate a little more.

There is a fantastic website (Australian in origin I believe) which made my task a whole lot easier. Sleevage.com is a fantastic resource which started a year ago and it delights in record sleeve art. Any interesting cover (new or old) can be put forward and the origin of the image or design is discussed with intelligence and insight. If you really love your music there is the opportunity to suggest and submit your own review, in return you can get your hands on free CD’s and gig tickets.

Luckily, the Editors cover was discussed in staggering detail by Ash at Sleevage only a few months ago. For me, the image on the front cover evokes memories of an industrialized area just on the edge of city centre Manchester near the Velodrome where huge gas storage structures tower over terraced houses. For the reviewer at Sleevage it looked like it could be a stadium or a racetrack and just goes to show that what we see is in the eye of the beholder.

The photography is by Idris Khan a controversial UK artist who uses other peoples images to build up multi-layers until a “new” piece is created. I use the word controversial as he has created a bit of a stir due his actual source material being other artists’ work, which raises many questions as regards authorship, originality and copyright. (see also Richard Prince’s work). http://en.wikipedia.org/wiki/Richard_Prince

The cover shot was created by Khan using a series of images taken by Bernd and Hilla Becher, they were a German husband and wife artistic team who began working in the late 50’s their work often featured the industrial structures which surrounded them. (Bernd Becher sadly died last year and his obituary can be found here).

Whatever the rights and wrongs, I do find Idris Khan’s work haunting and rather beautiful. The strongest images are those which have the central spine and linear core provided by buildings. On this work the architectural symmetry allows the layers to blossom and creates a real atmosphere and feel that works ‘with’ rather than ‘against’ the originals.

 

“it’s obviously not about re-photographing the photographs to make exact copies, but to intervene and bring a spectrum of feelings - warmth, humour, anxiety - to what might otherwise be considered cool aloof image. Idris Khan.

 

In 2004 he scanned all 1,953 pages of the Koran to create what he believes is his best piece. He discusses this project in a Guardian interview here.

Now I’m off back to Sleevage.com to check out that “Nevermind” cover for Nirvana …

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Own-It, London. Free Event on Photographing in Public Places.

Apologies for the direct lift from the website but I wanted to get this online ASAP. There are 60 places still left on a FREE workshop in London, directly relevent to anyone photographing in public spaces …. yep that’ll be most everyone then !

Click here to go straight to the Own-It site where you can book advance tickets.

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