gill moore photography

Archive for the '2009' Category

Shot Up North exhibition reaches Newcastle @ the Biscuit Factory in March …

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I blogged during the light nights of June 2008 about my decision to enter the Shot Up North Awards.  SUN is a showcase designed to reward the best in professional photography north of Birmingham and to increase the profile of Northern Photographers in general.  50 images are chosen to be printed in the SUN catalogue, this wings its way to most of the movers and shakers in the Northern creative fraternity.  The winning work is also printed and framed and exhibited at various venues including Manchester, Liverpool, Leeds, Nottingham, Newcastle, Belfast and Birmingham.  So not a bad little showcase at all.

This was my first time for entering any kind of award, so I tried to canvas opinion from my inner advice circle (you know who you are – and thanks!).  In the end there were 3 or 4 images that seemed to be the most popular, which I then entered via the Shot Up North website.  Each image entered incurs an entry fee, so it isn’t just a case of entering hundreds and hoping one will produce success – unless you have money to burn of course.

After the judging I discovered I was successful with one of my images, which I had taken during the summer, at the Feast Festival in Manchester.  It was chosen for exhibiting, inclusion in the SUN catalogue and is also available to purchase as a limited edition print (framed or unframed) via Comme Ca Art.

I had to supply some blurb to go in the brochure and having to write this proved far more strenuous than taking the shot I can tell you!

“I find our physical world fascinating in all its forms from tiny seeds to panoramic landscapes, even crumbling buildings have a soul which sometimes cries out to be captured.

The image (see below titled “lanterns”) was taken at a recent Festival in Manchester, locals placed the floating lanterns on the Lake and created such a beautiful and powerful scene, I just tried to catch the moment – the merging of the community, nature and mankind in harmony, rebirth or farewell?  It made me think of so many things.”  (Gill Moore).

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The exhibition has now reached what looks like a very nice venue in Newcastle called the Biscuit Factory.  It is Britain’s largest commercial gallery with two floors of space.   Apparently my image has been chosen to go on the front cover of their latest gallery brochure which previews the SUN show, which, if true I shall take as a real compliment.  I will endeavour to get my hands on a copy and post up on the blog.

For now here is my image “lanterns” and the overall winning image (and my favourite too) a stunning shot titled “Alpine Choughs” taken by Robert Pogson.

lanterns

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“Where can I buy original Art in Manchester and why should I?”

The appetite for owning original works of art has grown steadily over recent years.  Maybe because it is one way to make a house feel individual in these times of flatpack ubiquity.  A well-chosen piece of art can reflect a chink of character of the owner and prompt a smile or moment of pause in the thick of our busy lives.  No bad thing at all and not something that often happens with a Billy Bookcase.

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I’ve been asked the question a few times this year “Where can I buy affordable original art?”.  As I am based in Manchester my answer is somewhat limited but here are the options that I know about in my locality:-

  • ArTzu Gallery on Ancoats near the Art Deco Express Building.
  • Artland Gallery under the Quaker Meeting House opposite Central Library, Manchester.  An exciting new venue which ran a stunning exhibition of Jan Chlebik‘s  cityscape photography recently, latest exhibition is by New York Times photographer Christoph Bangert (see image above).
  • Blyths art gallery central Manchester.
  • Castlefield Gallery close to Deansgate Metro Station.
  • Colin Jellicoe Portland Street, Manchester.
  • Comme Ca Art various spots including upstairs at the prestigious Lowry Hotel, Salford/Manchester border.
  • Cornerhouse Projects (downstairs in the bar) close to Oxford Road Station, Manchester.
  • Cube Gallery (architectural related work)  see upcoming exhibiton from award-winning photographer John Davies.
  • Islington Mill, Salford/Manchester border.  Growing artists collective with studios and galleries, often special previews & shows.
  • The Lowry, Salford/Manchester border.  Has occasional exhibitions and work for sale from artists (often local).
  • Manchester Craft and Design Centre Favourite spot for emerging work, textiles, painting, photography …. all sorts.
  • Mooch Art new venture in Northern Quarter plus online gallery selling mostly local artists; painting and photography.
  • Revolve Gallery used to be Manchester-based, moved in Sept 2010 to an impressive space in Clitheroe (just north of Preston in the Ribble Valley).
  • Richard Goodall Gallery Northern Quarter, mostly illustration and photography linked with music promotion and posters, had Leonard Cohen’s work on show last year.
  • Waterside Arts Centre (Sale) nice Gallery space featuring local artists all media from painting, photography through to mixed meda and between.
  • Wendy Levy Gallery very respected Gallery based in West Didsbury top notch artists represented here including Liam Spencer.

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Finally, just in case you find galleries a little intimidating, then you might want to check out a new event on the calender, it’s the Buy Art Fair 24-27 Sept 2009 which enjoyed a very special inaugural launch last year with 3,200 visitors and over 200 artists on display, well staged at the nice, light and airy Urbis, Manchester.  Never spend more than the price of a new sofa, prove your skill at spotting new talent, support creativity and art, make your home original and breathtaking and you never know you might make some money on it too!

UPDATE : For an alternative take, check out a great blog run by a New York Gallery owner Ed Winkleman.  His blog is a really useful place to pick up terrific candid advice on the art world, the nitty gritty of running a Fine Art gallery and to see how sales are going on the other side of the pond.

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Manchester artist Ben Kelly’s new exhibition “Painting the Blues” @ Manchester City FC Museum …

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Award-winning local artist Ben Kelly had a busy time last week.  Sadly, I couldn’t make his Preview Night due to work commitments, but judging by all the feedback and coverage, things went very well indeed.

His exhibition is called “Painting the Blues” and features new work created over the last 12 months.   The aim was to capture the highs and lows of Manchester City Football Club.  Any City fan knows more than most, the world of football is a hugely unpredictable one, where “emotions change from triumph to despair in the space of ninety minutes”.

Even for a club with Manchester City’s history, the last 12 months have been a rollercoaster, yet Ben was given free rein by City to wander wherever he wanted, with unprecedented access to witness activity behind the scenes  aswell as the regular matchday frenzy.  One has to congratulate the club for creating the opportunity for an artist to try and capture the season on canvas and as a huge City fan this was pretty much a dream assignment for Ben.

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He is certainly an artist on the rise; having won a massive £15,000 in December 2006 in a competition organised by the Lowry and Umbro called “One Love – The Football Art Prize”.  He beat 800 other artists from all over the country to scoop the prize when his painting “The Final Whistle” was chosen by a panel of judges, one of whom was Turner Prize winner Mark Wallinger (in the news this week with his ‘Angel of the South’ White Horse commission).
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Next project on the horizon was an exhibition at the prestigious Cheshire gallery Firob & Peacock in Knutsford.   This work showcased some of Ben’s landscape paintings; each piece took the viewer by the hand on a beautiful foray into the woods.  Featuring forests and icy stillness, this exhibition was full of intense atmospherics, Lowry-esque figures almost lost within impossibly elongated trees.  Delicate tints and the occasional dramatic splash of vividity created wonderfully engaging work.

Grab the chance while you can, and see Ben Kelly’s latest work here in Manchester at the City of Manchester Stadium Museum, open now and ending on the 31st March 2009.  All work is for sale, though I understand quite a few were snapped up at the Preview.

Which leads me on to the subject of my next post …. “Where can I buy original Art in Manchester and why should I?”.   Yes indeedee, coming soon … check back on the blog tomorrow (probably!).

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Cultural Snapshot; Obama, Grammy’s and Berlin ….

It has been a visually interesting week.  I have browsed through the Obama official photograph taken by Pete Souza (the first taken using a digital camera -a Canon 5D) and the portrait project on his support staff in the New York Times (which for the record I really liked whilst many didn’t, but there you go) taken by Nadav Kander.  But for me two great bits of work really stood out these past 7 days:
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  • 2) An interesting photography project by Simon Hoegsburg called rather bleakly “We Are All Gonna Die – 100 meters of existence”.  This is a huge 100m wide photo he has created by combining hundreds of images taken of Berliners (is that a word/not sure!) on the same spot on a bridge over a period of 20 days in 2007.  It documents, it fascinates and tells lots of stories.  On first viewing I scribbled:

[check out the bikes YEP]
[check out the two people with eye patches …. weird !]
[trendy berlin.  great snapshot of city dwellers, only a few people clocked the photographer]

Hoegsburg is based in Denmark but studied in London and he isn’t just a one trick pony.  Have a look at his website, there is plenty of other strong work.  He even has a series on a cycle trip he took using a heavy Copenhagen city bike which you can hire there for one Danish krone.  He took off for Istanbul and went in search of the goodness in people.  When so much photography (art in general) can be a little po-faced, I found his work open, fresh, focussed and powerful.  One to watch out for.

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A funky Spanish illustrator found via ffffound

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UPDATE ADDED:  5 March 2012.  I am very happy to report I was given a Limited Edition Blanca Gomez print for Christmas and it is gorgeous. It is now framed and has pride of place in my sitting room.  Such a wonderful design and beautifully packaged. Highly recommended from a happy customer :-)

Also I came across this great interview with Blanca in grain edit magazine if you fancy learning a little more about her creative process, background and influences with some images from her sketchbook, showing how one of her illustrations is built up over time.

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Sure as butter-side toast just loves a fluffy carpet, I seem incapable of ignoring a good bit of illustration.   Having a flick through ffffound the other day I discovered a Spanish illustrator called  Blanca Gomez, her website is  cosasminimas.com which is Spanish for “tiny things” and her own work matches up to such a beautiful name.

She runs her own blog and is part of a talented worldwide group of creative artists called the Goodfellas Network   http://www.goodfellasnetwork.com.   She has a healthy and varied amount of commissions already under her belt, both for commercial and editorial clients and has caught the eye of funky online printing outfit moo.com who feature her on their site as a designer to watch.  Blanca uses etsy, flickr, moo.com, her own site which has a shop, and the Goodfellas Network.   A great example of someone who really knows their market and illustrates how different tools can work in combination to bring prospective buyers to discover your work.

19 steps to be a great Photographic Assistant … and beyond.

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UPDATE ADDED:  5 March 2012.  I came across this excellent piece in The Guardian which looks at “How To Become a Professional Photographer”.  They did a live blog Q & A on the topic and the archive is still there in the comments.  There were some superb questions from students and those wishing to enter the profession.  This archive contains some very good advice from an excellent list of panellists.

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Many people dream of a career as a photographer and there are certainly a myriad of ways to get into the photographic industry.  My own path started by studying at college for 3 years, but the learning really only properly began when I became a Photographic Assistant in a large commercial studio assisting 10 different photographers.  I worked hard and learned a great deal.

I have now worked as a photographer for well over a decade and I have gleaned a fair bit of insight on the question of “What Makes a Great Assistant?”.  So, using my own experiences, reading around and from listening to the many folk I have met along the way I have attempted a potted guide which I hope may prove helpful to others .

Of course, it is all subjective (and by no means definitive- I certainly don’t know it all!)  so take or leave whichever bits you like.

  1. Find out and learn as much as you can about the key bits of equipment used by professional photographers in your area (and I’d include software in that too).  A good place to look would be the main source for hiring professional gear, ask them what gets hired out the most … what manufacturers people tend to use.  This increases your value as an Assistant if you can show a range of knowledge and familiarity with all the latest kit.  Hire it out yourself or strike a deal testing it for the hire company.  If you are at college use every piece of equipment regularly and know it backwards.
  2. Learn the going rate for an Assistant, never try and undercut others … usually not a clever or productive route to go especially if you are just starting out without a decent reputation.  Different commissions will have different budgets, often Digital Assistants get more than Studio Assistants.  Be prepared to work long hours on some shoots and get no lunch break.  On another day you may find you finish early and go to the beach.  To get the best answers ask other experienced Assistants, if you ring up a photographer, most will give you an honest answer.
  3. Shoot as much as you can yourself, develop your own style, practice using all available equipment and cultivate how you like to do things and slowly build up a folio and a nice set of reliable photo gear.  Once you start thinking like a photographer you should become a better Assistant; able to anticipate and be a real asset.
  4. Be reliable, discreet, loyal, unobtrusive but helpful and decisive when necessary.  Being adaptable, easy-going and good company helps.  Don’t underestimate how important good social skills are in being a good Assistant.  Each photographer is different, some will prefer you to be gregarious and take the pressure off them with models and Clients etc. However, be aware that others may hate that!  You need to read people and their needs pretty well.
  5. Ask if you don’t know how to do something. Never just muddle along and then end up breaking a piece of equipment.  Though not too many questions, or you will make the photographer nervous!  If you can, ask someone else who might know an answer (other Assistants or people who work at the studio if it is a Hire place?).
  6. Learn skills from everyone else connected to the shoot.  Watch how they work as part of a team, how do they conduct themselves and use their skills?  Be helpful to everyone;  yes it is a nice way to be and it can lead to other contacts and work.  Network and cultivate useful contacts yourself and make recommendations should someone come looking.  What goes around comes around.
  7. Keep good notes and contacts of anything you learn.   You think you will remember it all but you won’t.
  8. Create an ideas and influences book. Read, visit and study other photographers.  Come up with a shortlist of your favourites from the emerging to the worshipped.  Analyse why you like them.
  9. Never forget your main role is to support … you are all part of a team, don’t try and take over but a useful suggestion at the right time can be invaluable.  Cultivate showing the right amount of initiative, don’t always be waiting to be told what to do.
  10. Always be a little early, NEVER be late.  If, for some reason, you will be late then phone ahead and let the photographer know.  Don’t turn up with a hangover.
  11. Be available should the photographer need you, “busily hovering” is a very useful skill.  If you go off to do a task then let the photographer know.
  12. Dress to blend in, you’re a creative; you can be stylish but practical.
  13. Be keen and able to drive a car and a van, try and have a clean licence.
  14. Don’t moan on a job, if a photographer is a nightmare then do your best on the job and don’t work for them again.
  15. Keep your private life out of work, put your phone on silent&vibrate. Yes, you are running a business, but when you are on a job, don’t take other work calls unless absolutely necessary.  Try and make your calls back at a suitable moment if there is such a thing.
  16. Don’t approach or show your own work to a Client on a job.  If you fancy collaborating with a Model, Make-Up artist or Stylist then agree to meet up some other time.  It might be nice to let the photographer know of your plans as they did put the two of you together in the first place and it could be better than them finding out from someone else.
  17. Do a business course, understand the market you are in, look at other Photographers and how they have positioned themselves within their sector.  Do you want to specialise, do you want to be your own boss?  Read lots about marketing a creative service.
  18. Understand copyright and Intellectual Property, protect your work. In the UK Own It is a good place to start and often run free workshops and Copyright Action has some excellent advice and links.
  19. Get feedback on your work, listen to advice, enter competitions & awards but always read the small print, make sure they are not Right’s Grabs:- a great place for advice is Pro-Imaging: Competions the Good & the Bad.  Keep shooting, but follow your own instincts too.  Love what you do and never lose sight of enjoying taking photographs.

I have listed some links for obtaining critique on your photography below.  I am not endorsing any of these and the standards of photography submitted varies but you may find it is useful for looking at other work and getting feedback.  Please let me know any others which you have found worthwhile and I can add them to the list.

Photoassist … good UK Assistants website and forum, features a showcase gallery for current test work.
Photo-net
J M Colberg website … US-based, you have to pay a fee for this one ($75) see further comment on this offer at the “A Photo Editor” site.
Photosig
Photozo.com Forum
Photopoints.com
PBase Forum
Flickr photography critique group.
Modelmayhem.com.  You can have a profile and if offers critiques but you have to join, mostly fashion.

For actual one-to-one reviews

Format Festival. Photography Festival in Derby, UK.
Redeye. Photography Support Group in Manchester, UK.
Rhubarb Rhubarb. West Midlands, UK based photo-development Agency.

To finish off, here is a link to some respected and experienced photographers on the Magnum blog, featuring brilliant work and some insightful advice on being a photographer ….  “Wear Good Shoes – Advice to young photographers”

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