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Were the “Best of Manchester Awards” any good? … in fact do Awards mean anything?

There seems to be awards being presented everywhere you look nowadays, so many in fact that it is impossible to keep up with everything.

I am all for being judged by your audience, critics and peers but one has to ask the question how impartial is impartial? Nowadays, I have no time for Awards with heavy sponsorship … step forward the Brits which is owned by the BPI (British Phonographic Industry aka the British Record Industry). It claims it’s aim is to be “supporting young people in music and education” aahhmm … surely it is about keeping British Music in the headlines and rewarding those that have mastered playing the game and who sell lots of records. I am not saying all Brit winners are talentless but it is just that, as far as I can see, the BPI are just handing out awards to those already successful.

More meaningful are those Awards which generate word-of-mouth and are trying to give a helping hand to those talented (often innovative) souls who have not yet cracked it. Here you may find artistic types who possess a huge belief, a love for their chosen field crikey some folk who might even be doing it for fun and not money.

The cynical amongst you will shout that all Awards by their very nature are never unbiased, yes, true I agree but I guess I’m just saying that some have their hearts closer to the right place than others and this is often down to the Judges sitting on the panel and whether there is any kind of hidden agenda to the Awards.

A check on the Judges for the 2nd “Best of Manchester Awards” held at Urbis recently were Peter Saville Graphic Designer and all-round Manchester Design Guru, Miranda Sawyer (writer, broadcaster), Luke Bainbridge (Music Journalist, Editor Observer Music Monthly), there was the head of A&R at Universal Music, with nods to respected bods @ Castlefield Gallery (Manchester) and Blueprint Music Studios and Elvis Jesus head honcho covering the fashion angle. So a pretty eclectic, informed and opinionated group. Things are lookin’ good.

300 entries fought to prove their work illustrated the best creative thinking and innovation in Manchester, things were wittled down to a shortlist of nine covering Art, Fashion and Music. There is an exhibition to accompany the Awards on the 4th Floor at Urbis until the 28th of September. From the work on show I had a couple of personal favourites … none of which turned out to be the eventual winner so there we go – what do I know !! Still I’d like the share them with you anyway :-)

I loved the graphics and ethos of the Red Deer Club “a small label with big ideas” and brainchild of nu-folk fan Duncan Sime.

On the 4th of May last year, UHC a socially-conscious Design Studio and Artists Collective who deal in “the finest blend of art, design and action” took to the streets. Helped by volunteers and “As part of a protest campaign against consumerism and climate change, 88 hoardings were covered with cream coloured ‘hoods’ emblazoned with the message, ‘trees breathe ads suck’.” (Manchester Evening News). UHC will always annoy some, but their work often seems to harness talent, invention and maybe a measure of eccentricity. Surely it’s not only me who applauds their aim to “present those traveling to work with a special gift – a few precious moments of peace and beauty in place of the incessant noise of advertising”. Wonderful illustrations too …

Finally I was rooting (pun not intended) for Paul Hartfleet to win in the Art Category with his Pansy Project. “Paul revisits locations where homophobia has been experienced and plants pansies. These self seeding pansies act as a living memorial to this abuse and operate as an antidote to it; some pansies wither whilst others thrive in car park borders and windswept road verges. Each Pansy’s location is named after the abuse received and the project is now worldwide with its very own website www.thepansyproject.com.

I know it appears I am blinkered, as his project heavily features photography and Paul’s current project features benches! but trust me, take a trip over to his own site and blog and see more of his fantastic work and ideas.

The actual winners were :

ART: Naomi Kashiwagi

MUSIC: Richard Cheetham, High Voltage

FASHION: Simon Buckley, Rags to Bitches

One final little footnote, I discovered a fab little Manchester band playing to the crowds at the Awards called Keith, a little bit Doors/Radiohead/Talking Heads all delivered with the customary Manc twang and swagger.

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“Silent Light” – Update. It’s being shown on Film 4 tomorrow night!

A little late in the day, but I just happened to notice a film I blogged about back in April is being shown in the UK tomorrow evening (Monday 11th August) at 11.30pm on Film4.

“Silent Light” is the latest film by the talented Mexican Director Carlos Reygadas and was given it’s theatrical release in 2007. The pacing is described as “funereal” so it might not be to everyone’s taste, but it is described as “overwhelmingly powerful” by the Guardian.

Below is some information on this award-winning film taken from the Radio Times website, my original post can be found here. I was initially struck by the beautifully composed still images from this film and I vowed to track it down and give it a viewing. Tomorrow evening will provide the perfect opportunity. :-)

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New Designers exhibition, London … winners Kate Laskey & Abigail Borg

I was hoping to get to the New Designers exhibition at the Business Design Cente, London, when I was visiting the capital a few weekends ago. Sadly, the time slot was just too tight and I had to give up on that idea, however on their website is a full list of the winners. It was a two-part show which celebrated the work of over 4000 graduates from around the UK who also competed to win one of the New Designer Awards. It is one of two major platforms for new graduates, the other being the Free Range exhibition over at Brick Lane.

Amongst this year’s award-winning array of talent I really liked the work of Kate Laskey. Her project entered for the ND exhibition was titled ‘Ten stops from home’ and featured a collection of wallpapers, furnishing and upholstery fabrics and cushions that all incorporate images noted from her journey to and from college. Covering the past three years, her sketchbook featured drawings from towns such as Shoreham, Brighton and Eastbourne which were developed to create the finished designs.

Kate is a recent graduate in Surface and Textile Design from Northbrook College and won the Harlequin Award at the exhibition. The judges described her work as “inspirational and highly individual with a very specific style and unique handwriting. Extremely refreshing and versatile”. Together with the prestige and media buzz of winning an award at this exhibition, it also means Kate will spend some time working at Harlequin a highly respected brand known through the world of interiors, they design and sell a select range of classy fabrics and wallpapers.

Also an honourable mention for a student from ‘Oop Norf’ …. hurrah, no I’m not biased at all !! Well done Abigail Borg from Leeds College of Arts, proclaimed the Business Design Centre: New Designer of the Year. I think her drawing skills and colour palette match up quite beautifully and her work could fit comfortably within a number of media from textile design right through to book covers and many in-between.

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New Designers exhibition, London … winners Kate Laskey & Abigail Borg

I was hoping to get to the New Designers exhibition at the Business Design Cente, London, when I was visiting the capital a few weekends ago. Sadly, the time slot was just too tight and I had to give up on that idea, however on their website is a full list of the winners. It was a two-part show which celebrated the work of over 4000 graduates from around the UK who also competed to win one of the New Designer Awards. It is one of two major platforms for new graduates, the other being the Free Range exhibition over at Brick Lane.

Amongst this year’s award-winning array of talent I really liked the work of Kate Laskey. Her project entered for the ND exhibition was titled ‘Ten stops from home’ and featured a collection of wallpapers, furnishing and upholstery fabrics and cushions that all incorporate images noted from her journey to and from college. Covering the past three years, her sketchbook featured drawings from towns such as Shoreham, Brighton and Eastbourne which were developed to create the finished designs.

Kate is a recent graduate in Surface and Textile Design from Northbrook College and won the Harlequin Award at the exhibition. The judges described her work as “inspirational and highly individual with a very specific style and unique handwriting. Extremely refreshing and versatile”. Together with the prestige and media buzz of winning an award at this exhibition, it also means Kate will spend some time working at Harlequin a highly respected brand known through the world of interiors, they design and sell a select range of classy fabrics and wallpapers.

Also an honourable mention for a student from ‘Oop Norf’ …. hurrah, no I’m not biased at all !! Well done Abigail Borg from Leeds College of Arts, proclaimed the Business Design Centre: New Designer of the Year. I think her drawing skills and colour palette match up quite beautifully and her work could fit comfortably within a number of media from textile design right through to book covers and many in-between.

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Creative Studio sharing … a Danish example but it needs a green roof!

Maybe one day I will dabble in a bit of studio sharing. I often think it sounds like a stimulating and fun environment to work within, different creative skillsets all housed in one building with the possibility of collaboration plus the practical benefits of sharing facilities. Whilst savouring the wonderful design work on the bloesem site, I discovered a successful creative workspace enterprise called ‘Lynfabrikken’ (the lightning factory) based in Denmark.
I suppose the closest thing we have here in Manchester would be The Craft and Design Centre but it rents out only small units and does not have the space to attract photographers/musicians/film-makers. Maybe Islington Mill has the potential to grow into something bigger, though the Danish example seems to have a more central location and therefore the ability to morph itself into trendy cafe, place to be seen plus a gallery and performance venue. Lynfabrikken is open to the public with opportunities to buy and view unique work and provides a meeting spot for all the creative tenants and their clients.
I shall carry on with my idealised daydream for the Perfect Studio ….
Of course it would have to utilise all roof space, maybe a green living roof similar to the Unicorn Grocery roof project in Chorlton, their site has a live web-cam (you can actually control the camera movements!).
The Unicorn scheme provides a green escape for their employees and was designed specifically to attract the rare black redstart, a bird happy in the urban environment but rapidly disappearing from the UK. There have been reports of at least one breeding pair of these birds this summer in the centre of Manchester (near the CIS building) so maybe they will wing their way over to Unicorn one day soon.

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What makes a great photograph? … “how long is a piece of string?”

This year, for the first time, I am entering the Shot Up North Awards.  These UK awards are for photographers based anywhere from the Midlands northwards including Scotland.  The Awards used to be affiliated to the Association of Photographers (AOP) however SUN is now a stand-alone organisation aimed at celebrating and promoting Northern photographers and their work.

I started to ponder what is the key thing that makes an image a great image.  First port of call was viewing some of the previous winning images from Shot Up North.  Though hugely inspiring, I was struck by the variety and disparate array of images selected for the Top 50 over the years.
Studying the photograph at first-hand is always the ideal and what usually happens is you have a gut reaction upon initial viewing and this surely provides the key to answering the question.
I then took a read of the always excellent blog by J M Colberg “Conscientious” which featured a really in-depth piece: “What Makes a Great Photo?” with many gifted photographers and creative’s discussing their own take on answering that question.  After that I just jotted down lots of random thoughts which I list below.

  • emotional kick “wow” factor/connection/memorable tho it also may not wow it could linger and not go away.
  • tells a story/intrigues/shows a voice
  • captures a moment
  • has a sense of style/atmosphere/beauty
  • makes you think/question/can challenge or inform
  • has a high degree of individuality/fresh perspective
  • compelling blend of colours/form/composition
  • intimate – can open a direct channel viewer/photographer.  It communicates.
  • evocative/memory
  • has depth, image encourages/demands repeat viewing
  • reveals something new of the subject; a person/object/environment
  • has an ability to move and touch the viewer
  • element of mystery
  • powerful … it transports you to another place

Sure, it is a bit like asking “how long is a piece of string” but it is such an interesting question with no right or wrong answer; just more for the mix and people react so differently and that it what is so fascinating.

UPDATE : Newer post featuring my Special Edition image and other winners at Shot Up North plus details of the SUN exhibition can be found here.

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