gill moore photography

Archive for the 'buildings' Category

Streetview: A new exhibition for city lovers and fans of Greater Manchester’s architecture.

Streetview exhibition Jan 25th 2013 - Feb 18th 2013

 

 

 

 

 

 

 

 

 

 

 

 

A new exhibition of original art for city lovers, map makers and fans of Greater Manchester’s architecture. A series of illustrations and models based on Google’s Streetview, with over 30 works including pieces by New-Yorker contributor Stanley Chow, Mark O’Brien, and Clare Allan, as well as international pieces including Luke McGarry – the youngest ever recipient of the National Cartoonists Society’s Silver T-Square prize.

Preview night is this Friday 25th Jan 2013 from 6pm in the Northern Quarter gallery nq2022 on Dale Street,  M1 1EZ.  Everyone is invited.  There is a Facebook event page for Streetview, where you can see who else is coming.

Somehow, amongst all these really talented artists and their work, you will find on display a Gill Moore original has sneaked in!  It’s my first ever attempt at creating an illustration (New Years Resolutions have much to answer for).  Below is a small slice from my effort.  The view in Manchester I picked to draw was one of my favourites; Castlefield Basin and it is copied from the image displayed of the area on Google Streetview.

Original Illustration by Gill Moore of Castlefield Basin based on a Google Streetview image.

 

 

 

 

 

 

 

 

 

 

 

The back room will feature a spin off exhibition bringing together the works of Secret Cities photographer Andrew Brooks and illustrator Michael Morrell.  Both artists have documented the BBC Oxford Road demolition, Brooks through his unique style of photography and Morrell through a series of illustrations that will come together to form a comic/social history newspaper.

Have a browse, then join us into the night as the dancing gets started with DOTS AND LOOPS!

This isn’t going to be an ordinary launch, it’s going to be the first big party of 2013, and it’s Burns night so come down, it is sponsored by Tunnocks so there will be free biscuits, well there will be if they make it down from Scotland through the snow!

250 FREE copies of the lovely event brochure care of Ubiquitous and designed by Sam Swaffield will be available on the night

The exhibition will run until February 18th, but there aint no party like the launch night party…

Streetview is curated by Hayley Flynn.  Hayley runs a superb award-winning blog Skyliner, which aims to discover unusual art and architecture. It is well worth a read:  http://theskyliner.org

 


Stephen King: Lewis’s Fifth Floor: A Department Story

stephenking_lewiss

Really enjoyed these images from Liverpool photographer Stephen King, featuring photographs taken in Lewis’s Department Store in Liverpool, one of the UK’s oldest and most iconic department stores a building sadly shut down and hidden since the early 1980s.

What a cracking idea, I wish I’d thought of it!  The still life images work better for me, some terrific compositions.  The project has it’s own website www.lewissfifthfloor.com (though it’s a bit slow to load) and there are quite a few images over on Stephen’s site.

stephenking_lewiss2

I remember, as a Wirral girl born and bred, it was a big treat to be taken over to Lewis’s on a Saturday for a shopping expedition.  I particularly remember the broken biscuit department was a highlight.

Dates: 26th February to 30th August 2010, Lewis’s Fifth Floor: A Department Story at Liverpool’s  National Conservation Centre.

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Shooting the city @ night with Christina Seely & her “Lux” project …

christinaseely_lasvegas_lux

A few weeks ago I was privileged to help out a wonderful US photographer Christina Seely  shooting her latest project “Lux”.  I became aware of her work after a call out on Mark Page’s excellent Manchester Photography website back in June.

A number of reasons prompted me to answer the request for assistance.

  • I checked out Christina’s website and I really liked her work.
  • Her own areas of interest happen to be ones I share a passion for too; namely the planet, our relationship with nature/the environment and the effect of one on the other.
  • Personally, I have found collaborations are a good thing if one has a gut-feeling to do it.
  • It presented a great opportunity to learn from a successful photographer who has drive, talent and belief in abundance.
  • A  measure of helping is always good for the Soul Department.

The gist of the “Lux” project as explained by Christina (from a blog interview with Plazm magazine) :

“A few years ago I rediscovered the NASA map of the world at night and I kept coming back to it over and over again. I was captivated by the beauty of the light on the map and also the complexity of what this light represents about us.  The conclusion is that this light obviously equals an intensely negative impact on the planet.  However, since it’s inception, man made light has also represented; ingenuity and progress, innovation, growth, prosperity, amusement, romance, optimism and promise – basically fundamentally positive and hopeful things. My real interest lies in this complexity and what it reflects about our current relationship with the planet.

The final body of work will be made up of photographs that document the artificial glow produced by the 43 brightest cities at night.”

This is a 4 year, worldwide project and a great deal of organisation, skill and research has been required for each of the shoots to go ahead.  Many artists mention their process when they discuss their work, when you read Christina’s “Lux” blog, one can gain a very real sense of this being more akin to a quest.   It highlights the efforts an artist has to put in behind the scenes to deliver; including battling an airport theft (Madrid) and a fire (Edinburgh).

My role for the Manchester and Liverpool shoots: location scout, navigator, car driver, equipment carrier, safety-in-numbers guard, torch bearer, stopwatch watcher, umbrella handler, local guide and regional catering advisor.

christina_and_camera

Christina uses a beautiful handmade 5×4 field camera to record her work, modelled by Christina in the above phote.   For “Lux” the aim is that the finished prints will be large and so the rendering needs to be as detailed as possible.    After copious testing, her chosen film for the work was Portra 100T negative, which presented a problem as Kodak decided to discontinue the whole range once shooting had commenced.  I think by scraping Ebay Christina should just get through to the end of the project (however, if anyone knows of any further sources then please do get in touch).  Average time for exposing the film was 3 hours.  This is due to the effects of reciprocity failure.

The spot I thought might work for the Liverpool shoot was Bidston Hill on the Wirral, close to Birkenhead (thanks also to Chris Coles for help scouting locations and research).   However, I must admit I was a little worried about wandering a lonely location such as this in the dead of night.  Due to it’s landmark windmill, it is a popular meet-up place for the local youth.  Thankfully,  despite the shoot starting around 11pm on a Friday night, we were bothered only by moths and a shooting star, a hooting owl provided the odd punctuation mark.  Manchester was captured from a field near the summit of Hartshead Pike, Mossley.  No threat of hassle, just a wonderful night sky, a few curious horses, low-flying bats, great company (Richard Brook from MMU also helped on this shoot) and a tiny bit of drizzle.  Both shoots were surreal, magical and very special.  I do not think I have ever sat and consumed the same scene for so long.

lux1_manchester

This project is now nearing completion as regards photography and there is already interest worldwide concerning possible sites to exhibit the body of work.  I cannot wait to see all of the filmic images displayed in one place.   Especially the shoots I tagged along for, will those two sheets of 5 x 4 film reveal the same things I conjured and remember so vividly?  Will they even make the finished cut … as I know some degree of image editing will be necessary.

A final footnote, Christina has been in touch to tell me about another project she is involved with called the Civil Twilight Collective who have been busily working on a fantastic idea: Lunar Resonant Streetlights.  It has been nominated for the prestigious Index Award (the world’s largest design award 500,000 euro prize-money) in the Community category.

lunarresonantstreetlights

There are some amazing ideas shortlisted, all along the theme of “Design to Improve Life”.  It merits a blog post of it’s own and if you have an interest in this subject you will find it well worth a visit.  Whilst there, you can cast your vote for the People’s Choice (I have) but be quick as voting ends tomorrow Friday 28th August when the winner is announced.

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Zaha Hadid @ Manchester International Festival, past, present, future …

Last year I watched a programme illustrating the shortlisted buildings for the “architectural Baftas” aka The Stirling Prize.   One entry that stood out for me was the elegant and fluid Nord Park Cable Railway built in Austria by Bagdad-born Zaha Hadid.  I read up a little on the architect and the more I delved, the more I liked her, and realized her projects had  seeped closer to me than I had imagined.

zaha_nordpark

Zaha seems to relish tackling different practical and creative challenges and she is not averse to mixing her genres.  She designed one of the better elements of the Millenium Dome “The Mind Zone” and has set-designed for the Pet Shop Boys and the Belgium Charleroi Dance Company.  Earlier this year she was guest editor on the Radio Four “Today Show”.  She has a mathematical aptitude, she studied for her Mathematics degree in Beirut and moved to England following her graduation.  In Sept 2008, Zaha guest edited “Wallpaper” magazine and designed the award-winning die-cut front cover.

Her London-based architectural practice grew in size and reputation during the 1990’s and she is now world-renowned for her innovation and organic sensual style.  Awards started winging her way,  judging by her current work, it seems she has gained an appetite for them.

zaha_bmw

The scene is now set.  It is a cold, windy late winter day and I get my first chance to pick up the newly-pressed Manchester International Brochure for 2009.   I admire the design, the graphics and printstock.  I then open up the pages and I’m very excited to discover Zaha Hadid will be working on something here in Manchester for the Festival.

“Zaha Hadid Architects have created a unique chamber music hall specially designed to house solo performances of the exquisite music of Johann Sebastian Bach.  A voluminous ribbon swirls within the room, carving out a spatial and visual response to the intricate relationships of Bach’s harmonies. As the ribbon careens above the performer, cascades into the ground and wraps around the audience, the original room as a box is sculpted into fluid spaces swelling, merging, and slipping through one another.”

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Tickets sold out fast for all the evening performances but free tickets were available for lunchtime concerts featuring students from Chethams School of Music and the Royal Northern College of Music, two highly prestigious Manchester-based music schools.  It soon became clear that one could not just stroll down ten minutes prior to the concert as demand was huge for these 1pm sessions.  After a thwarted first attempt, I was still not certain I would get in when I went down to the Art Gallery for a second time the following week.  I had to go onto a waiting list for returns, and as I was number 13 on the list I was non-too hopeful, but the luck Gods were shining on me and I was given a late entry.  Hallelujah.

So, alongside 191 other lucky punters of all ages, sizes shapes and colours, I took my seat and felt quite special within the cocoon-like protection of the Music Hall Sound Pod.  The simple colour scheme of black and white belies quite a complex construction and the months of acoustic research the aim of which is to create a magical listening experience.  There was certainly an expectant crowd, our noises bounced around and created an excitable hubbub.  Our entertainment for the next 24 miutes entered quietly through a neat side archway, stepping onto the stage came Christian Elliott a talented cellist from the RNCM.  The Bach piece chosen was “Cello Suite No 3 in C major”.

Though a massive fan of music, my knowledge of classical is extremely limited, nevertheless the whole experience was entrancing.  The connection between performer and audience was instant.  The designed space fostered a sense of intimacy and many of the performers have spoken of feeling relaxed and protected within this womb-like aural grotto.  Delicate moments on the cello were crisp and easy to hear, silence was broken with a slight background hum (maybe air conditioning?) and the rich sweeping notes which tumbled out from the stage were moving, filled with warmth and fullness.

This was a bold and exciting use of a fairly standard boring gallery room and fantastic to see the Manchester International Festival pushing on with their remit to bring new work and collaborations to a wider audience.  I also applaud the blending of pricing options so those on a tighter budget can get to experience some of the work on offer.  It would be nice to see this remain a key policy for future years.  I bet that Manchester Art Gallery’s collections and visiting exhibitions have benefitted from a vastly expanded footfall too.

If you can, I urge you to take half an hour out on your next trip into town and pay the Zaha Hadid ‘ribboned wonder’ a visit.  The live lunchtime concerts have now finished, (but maybe with demand so high it would be a welcome decision to have them continue?) however, music is piped through to allow visitors to gain a sense of the sound experience.  It is worth a trip just to examine and walk through this beautiful temporary creation.  Opening hours are Tuesday – Sunday (and Bank Holiday Mon) 10am – 5pm exhibiting until 31st August 2009.

One wonders whether the design could be pushed even further?  Imagine an all-weather self-supporting version which could travel the world and bring gifted performers from all musical leanings to remote audiences, but within a sound arena of such exquisite quality.

Future UK build plans for Zaha Hadid include the Transport Museum in Glasgow and the Aquatics Centre for the 2012 Olympic Games in London.

UPDATE : Zaha Hadid´s pavilion for the Burnham Centennial recently opened at the Millennium Park in Chicago (updated 25 Aug 09).

UPDATE: First images of Zaha Hadid’s new Contemporary Arts Centre in Rome, Italy, which opens today (updated 13 Nov 09).

UPDATE: A further in-depth look at MAXXI museum in Rome, Italy with some fab photographs by Iwan Baan. (updated 18 Dec 09).

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Manchester International Festival – 5 day countdown begins …

mif_09_festivalpavillion

The Manchester International Festival is nearly upon us and the lineup this year is certainly eclectic and exciting.  I am sure even the most difficult to please should unearth something to tickle their fancy.

I have my eye on a few things:

If anyone has a spare ticket to donate to me I would quite like to see what happens at the Velodrome when Kraftwerk are allowed to run amock and also what Rufus Wainwright creates for his first opera to be premiered at the Palace Theatre.

That Festival Feast sounds a great idea too, but it sold out weeks ago so I shall have to keep checking for returns along with every other Mancunian food lover.

UPDATE : For anyone that missed it (me included as I had to work yesterday!) a nice little 5 minute piece on the Jeremy Deller curated “Procession” along Deansgate is over on the BBC Manchester website.  The steel band version of The Buzzcocks “Ever Fallen in Love (With Someone You Shouldn’t’ve)” is a real crowd-pleaser.

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How does a rather excellent real ale and the UK’s largest sedum roof go together?

adnams_distributecentre

I recently saw a very large and impressive sedum roof at the Wildfowl and Wetlands site at Martin Mere, Lancashire. It got me wondering who can lay claim to having the largest sedum roof in the UK?

I felt sure it would be housed somewhere like the Centre for Alternative Technology in Machynlleth (Wales) or maybe one of the large regenerative building schemes undertaken over the last few years for eco-friendly social housing or public buildings?

I did find a few nice examples of sedum and regular green roof schemes:

Certainly quite a number of educational buildings such as St. Martins-in-the-field Girls’ School, London roof and one at Cambridge University plus many new build schools across the country.

The well-known Eden Project has a small green roof, the most picturesque I could find was the Gallie Craig Coffee Shop, Drummore, Scotland. Wow, I SO want a hot beverage there now! :-)

gallie_craig_coffee_shop

Sometimes the choice to create a green roof was by necessity, such as the restaurant within St. James Park, London; any design for the new roof there had to blend in with the surrounding parkland or it would not gain planning permission.

An award-winning illustration on my doorstep here in Manchester is the Norman Foster designed scheme called Budenberg HAUS which has 4,500 square metres of green roof sited on the edge of Altrincham overlooking the Bridgewater Canal.

budenburg_haus1

The largest UK green roof (not wholly sedum) is at the Rolls Royce factory near Chichester which has a huge roof space measured at 40,000 square metres.

Eventually after a fascinating journey delving into various schemes I found a winner … and a real-ale brewery at that! Any real-ale fans will have heard of Champion Beer Brewers Adnams who are based on the Suffolk Coast in Southwold. In 2005 beer sales were up and faced with this growing demand they realised that a new distribution centre was required.

Adnams website lists their environmental goals “We aim to manage our impact positively on the social, natural, and built environment” and on this newbuild project they certainly went for it, not only creating the UK’s biggest sedum living roof but also building the Centre predominently from bricks formed using locally-grown hemp, lime and chalk.

These building materials certainly earn green brownie points (sorry I couldn’t resist!) but they also add effective functionality. Acting rather like a cellar, it maintains a steady 11 degrees celsius temperature within the warehouse, and means there is no need for expensive air-conditioning units. Heating for the offices is provided by solar panels. Though the initial build for the scheme was higher than a conventional approach, is has meant running costs are nearly half what they were at the Brewers smaller previous warehouse. So in the long term it will result in a considerable cost saving.
sedumroof

The roof itself is predominently sedum. These low maintenance, fleshy, thick skinned succulents have excellent insulation properties and also help filter out air pollutants. The plants are low maintenance and usually require no artificial irrigation, they absorb sound (useful in an urban environment) and can provide a habitat for birds and wildlife. The Adnams planting scheme also included regional wildflowers and wild grasses to supplement the sedum and to blend more naturally with local flora.

However, Adnams may soon be knocked off the top of their green perch. Work is ongoing on a scheme in Hemel Hempstead for a new Indoor Ski Centre. The sedum roof here will be a jaw-dropping 21,500 square metres and is set to open in the summer of 2009.

I have rather skirted over the pioneering use of the hemp and lime bricks on this project, but that is only because I am planning a longer post on this Stone Age plant and it’s modern applications in the very near future.

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