gill moore photography

Tag Archive for 'photography'

“Touching Space” photography exhibition @ Cube Gallery, Manchester

 
 
This is a good chance to see two interesting photography exhibitions at the same time, both free @ Cube Gallery, Manchester.  These shows previewed last night and are well worth popping in for.  Cube Gallery is on Portland Street and a lovely space for exhibiting.  But be quick as the final day is this coming Saturday 18th June 2011.  I particularly enjoyed the work of the two photographers below:   Colin Jarvis photographer Touching Space exhibition at Cube Gallery Manchester

©Colin Jarvis  www.colinjarvis.co.uk from “Touching Space” exhibition

Pat Moss photographer from Touching Space exhibition at Cube Gallery Manchester

©Pat Moss   www.patmoss.co.uk from “Touching Space” exhibition


Beards of Manchester calendar: all the images

Due to popular demand, here are all the fine beards (and a few ‘taches’) which made it through to be featured in the Beards of Manchester charity calendar. I shot all twelve images within a tight 3 week timeframe in order to hit the deadline for printing of the calendar prior to the launch last month. We went out and shot amongst Manchester’s finest urban nooks and crannies and braved whatever the weather could throw at us.

Can I thank once again everyone involved; Sam and Chris for having the vision to bring BoM to life and who dreamt up such a brilliant idea, Common Bar for the support and exhibition and to all the magnificent hairy faces featured in the calendar and on the website. The fantastic coverage and interest is all down to you.

We are hoping for plenty of sales now Christmas is fast approaching, it’ll make a cracking stocking-filler, a guarenteed smile fest! All the money raised goes to Lifeshare a fantastic local charity helping the homeless in Manchester and Salford.

You can buy the charity calendar in 20+ places all over Manchester, the full list is over on the Beards of Manchester website. Massive thanks to all those stocking it for their support. For those not living close to Manchester, you can buy it online, as Fred Aldous is kindly selling the calendar at the shop and on their website.

More information on the project and the launch can be found in an earlier post here and of course there is loads more info on the Beards of Manchester site.

UPDATE: The calendar completely sold out and raised over £2,000 for the charity Lifeshare.  Thank you to everyone who helped spread the word, sold or bought a calendar, a terrific effort for a great cause.

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Talking Heads “Fear of Music” with added imagery.

fearofmusic

One of my favourite all time albums is Fear of Music by Talking Heads and it triggered a fun post over on Blake Andrews’s blog.  Blake decided to match images with each of the tracks.  Above are a few of the images plus the original cover which is the one on the far left.  I think my favourite is “I Zimbra”, middle image above, it fits the mood of the track perfectly with a hint of the tribal about it.

His blog is a great one to bookmark; delving into the photographic sphere and featuring loads of interesting, thoughtful and inspiring posts and interviews.

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Graffiti in Manchester “Big Ideas Need Big Spaces”

Despite being informed that this was part of a Diesel ad campagn from 2008 (thank you @pgreenhalgh on Twitter) I still quite like this shot and thought I’d post it up. Fresh off the chip so to speak; taken this afternoon from a little sidestreet just off Ancoats, Northern Quarter, Manchester, sunny England.

Plus (a first for me), numero uno iPhoto upload onto my blog. So, albeit a tad grainy, but it’s a better camera to have with you whilst cycling back from a Client meeting than none at all!

bigideasneedbigspaces

LINKS: After a bit of digging I found a couple of other Manchester graffiti images featuring the same slogan:

Flickr/Kate Aldridge
Flickr/Claire Wroe
Flickr/davescunningplan
Flickr/Polyhymnia_

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Stephen King: Lewis’s Fifth Floor: A Department Story

stephenking_lewiss

Really enjoyed these images from Liverpool photographer Stephen King, featuring photographs taken in Lewis’s Department Store in Liverpool, one of the UK’s oldest and most iconic department stores a building sadly shut down and hidden since the early 1980s.

What a cracking idea, I wish I’d thought of it!  The still life images work better for me, some terrific compositions.  The project has it’s own website www.lewissfifthfloor.com (though it’s a bit slow to load) and there are quite a few images over on Stephen’s site.

stephenking_lewiss2

I remember, as a Wirral girl born and bred, it was a big treat to be taken over to Lewis’s on a Saturday for a shopping expedition.  I particularly remember the broken biscuit department was a highlight.

Dates: 26th February to 30th August 2010, Lewis’s Fifth Floor: A Department Story at Liverpool’s  National Conservation Centre.

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“Arty Wow Moment”: Review of Angels of Anarchy @ Manchester City Art Gallery

 

UPDATE ADDED:  5 March 2012.  Tremendous blog post on Francesca Woodman and her work over at Wayne Ford’s Posterous.   Her tragically short life is put under the microscope and the resulting post is a wonderfully informed and a comprehensive look at her background, work and influences.  Thank you Mr Ford!

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It has to be said I probably attend my fair share of exhibitions, but what doesn’t happen very often is that I enjoy one so much I feel a powerful urge to blog about it.  But the “Angels of Anarchy” exhibition currently in residence at Manchester City Art Gallery really does deserve to be seen by anyone with even the vaguest interest in the visual arts.

angelsposter

My last real big “arty wow moment” in Manchester was back in 1997 at the David Hockney exhibition, the one with all his photocollage stuff.  OK, well yes, I did also have one seeing the footage of Gandhi visiting Darwen at the Procession exhibition (Cornerhouse, Summer09).  But that doesn’t really count as it wasn’t the art that made me hold my breath with wonder, rather the actual event happening at all and being recorded forever by someone with a movie camera.

pearblossom_hockney

To be truthful, the only reason ‘Angels of Anarchy’ even twitched on my radar was due to the inclusion of some of Lee Miller’s photographs.  I am not really a big fan of Surrealism.  A few years ago, when I got to see some of Dali’s best work up close, I could appreciate the beautiful brush work but I didn’t find myself particularly moved.  It was all a bit too clever for me.

Surrealism emerged in the mid-Twenties, a potent, shifting and bubbling period in the art world.  Most of the celebrated artists and thinkers were male (Breton, Dali, Freud, Magritte, Man Ray, Picasso) and these are the names which are inextricably linked with the movement and whose work we have become accustomed to seeing.

Where the curators of this new exhibition have struck gold is by choosing to limit things to a unique viewpoint, namely the part women played as creators.  This helps to make the work relevant, it introduces a much more human aspect and allows the viewer to better understand and feel the emotion pouring out from the artists work on show.

Exhibition spaces can often feel cavernous, cold and intimidating.  Manchester Art Gallery have got things right here though.  Subdued lighting, warm rich colours and intelligent grouping of images make for a meandering and intuitive journey.

The work takes all forms, from painting and photography through to film, sculpture, books and poetry.  Many of the pieces can usually be found ensconced within numerous different private collections, there are 150  images from the 1920’s through to the 1970’s.

After viewing the exhibition I came away with much to think upon.  Many images deal with the representation of women as sexual objects; beautified, empowered, sad, disconnected, shackled.  Sometimes it felt like a celebration, stumbling into someone else’s party, women united and enjoying each others artistry, support and friendship (Lee Miller’s portrait work).  This is women experimenting and questioning, using their art to examine traditional roles and their place within a wider world and trying to find a voice.

leemiller_plate

It is a privilege to have the opportunity to see powerful work such as Lee Miller’s ‘Severed Breast’ (a freshly removed female breast is photographed served up on a dinner plate complete with cutlery on a white linen tablecloth, the was showcased in Vogue the magazine Miller worked for at the time) and Meret Oppenheimer’s wickedly disturbing “Fur Gloves With Wooden Fingernails”.  I really like the work of Manchester-based artist Rachel Goodyear and I believe her images would feel right at home in the slightly gothic and fetish-themed room where Oppenheimer, Penny Slinger and Josette Exandier’s work is displayed. Within this leatherbound haven you will find a fur teacup, a blonde human hair whip (fairytale/Rapunzel?) and bird skeletons.

meretoppenheimer_furgloves

Argentinian painter Leonor Fini’s work stands strong and powerful.  A remarkable women, artist, costume designer and novelist.  I was wowed by her “Little Hermit Sphinx (1948)” with it’s subtle colours and exquisite technique, capturing decay and innocence, a guardian for life and death.

leonorfini_littlehermitsphinx

Batting for the British corner I found Edith Rimmington’s painting “The Oneiroscopist (1947)” haunting, weird and beautiful.

edithrimmington_theoneiroscopist

Photography is well-represented in the exhibition.  I mentioned Lee Miller’s work earlier, but there is an abundance of powerful work.  I discovered the images of Francesca Woodman (Kate Bush a big fan apparently).  This US artist took the photograph chosen for the Exhibition poster and “Untitled” (1977) a self-portrait showing her hanging from a doorway really stayed bouncing round my mind long after I had left the gallery.  Using long exposures she generates a ghostly atmosphere, made all the more powerful when you discover she had a troubled life and committed suicide aged 22yrs.

francesca-woodman_doorway

Dora Maar’s photographic portrait of an armadillo embryo is freakish, spooky and rather innocent, whereas her “Sans Titre” seashell with a hand is classic surrealism, another of her prints hints at her striving towards a more documentary style and one can understand there is a truth to rumours of her appreciation of Walker Evans and Dorothea Lange .  Maar is perhaps better known as Picasso’s muse, but I would love to see more of her photography.

doramaar_pereubu_36

A big star of the show is Frida Kahlo, probably acknowledged as one of the more celebrated female surrealist artists, her work is vibrant and pulses with it’s own distinctive style,  symbolism and themes.  I must make an effort to see the film “Frida” based on her life,  she overcame huge odds to create such powerful paintings.

fridakahlo_diegoyfrida

A new discovery for me was Kay Sage, an American painter working mostly with oils.  She created beautiful, linear landscapes filled with futuristic structures all coloured from a sublime palette.  Sage’s work felt decidedly modern and distinctive, her painting “The Hidden Letter” immediately made me think of Phillippe Starck’s famous iconic lemon squeezer (or am I alone in that thought!).

kaysage_starck

This really is a feast, an exciting opportunity to see such a range of high quality work in one place.  The Gallery has made sterling efforts to enhance the experience, with a programme of talks and tours, games and interactive websites.  All part of a quietly terrific marketing and social media campaign, steered by Wilmslow agency Wonder Associates. Fantastic to see an arts organisation making such an effort to find and engage with their audience.

Further reviews of the exhibition can be found at the Guardian, Independent, Prospect Magazine, creativetourist.com and for a queer slant try Chroma Journal. Angels of Anarchy continues at Manchester Art Gallery until 10th January 2010 and was curated by Dr Patricia Allmer, MIRIAD, Manchester Metropolitan University.

UPDATE: Nov 2010.  Just found a well-written piece in The Telegraph newspaper (England) today on Francesa Woodman.  It’s well worth a read, particularly  if you have an appreciation of Francesca’s work and would like to learn more about her (sadly) rather tragic and short life.  It also highlights the fact that some of Francesca Woodman’s work will be on display at the Victoria Miro gallery in London 17 Nov 2010 – 22 Jan 2011 and also in the New Year 2011 a major retrospective will be on show at San Francisco’s Museum of Modern Art and then on to the Guggenheim in New York in 2012.

Next year, a major Woodman retrospective will travel to San Francisco’s Museum of Modern Art, and on to the Guggenheim in New York in 2012. Before that, though, an exhibition of around 50 of her photographs, including some rare colour prints, opens at the Victoria Miro gallery in London on Wednesday.

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