gill moore photography

Archive for the 'exhibition' Category

Shot Up North exhibition reaches Newcastle @ the Biscuit Factory in March …

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I blogged during the light nights of June 2008 about my decision to enter the Shot Up North Awards.  SUN is a showcase designed to reward the best in professional photography north of Birmingham and to increase the profile of Northern Photographers in general.  50 images are chosen to be printed in the SUN catalogue, this wings its way to most of the movers and shakers in the Northern creative fraternity.  The winning work is also printed and framed and exhibited at various venues including Manchester, Liverpool, Leeds, Nottingham, Newcastle, Belfast and Birmingham.  So not a bad little showcase at all.

This was my first time for entering any kind of award, so I tried to canvas opinion from my inner advice circle (you know who you are – and thanks!).  In the end there were 3 or 4 images that seemed to be the most popular, which I then entered via the Shot Up North website.  Each image entered incurs an entry fee, so it isn’t just a case of entering hundreds and hoping one will produce success – unless you have money to burn of course.

After the judging I discovered I was successful with one of my images, which I had taken during the summer, at the Feast Festival in Manchester.  It was chosen for exhibiting, inclusion in the SUN catalogue and is also available to purchase as a limited edition print (framed or unframed) via Comme Ca Art.

I had to supply some blurb to go in the brochure and having to write this proved far more strenuous than taking the shot I can tell you!

“I find our physical world fascinating in all its forms from tiny seeds to panoramic landscapes, even crumbling buildings have a soul which sometimes cries out to be captured.

The image (see below titled “lanterns”) was taken at a recent Festival in Manchester, locals placed the floating lanterns on the Lake and created such a beautiful and powerful scene, I just tried to catch the moment – the merging of the community, nature and mankind in harmony, rebirth or farewell?  It made me think of so many things.”  (Gill Moore).

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The exhibition has now reached what looks like a very nice venue in Newcastle called the Biscuit Factory.  It is Britain’s largest commercial gallery with two floors of space.   Apparently my image has been chosen to go on the front cover of their latest gallery brochure which previews the SUN show, which, if true I shall take as a real compliment.  I will endeavour to get my hands on a copy and post up on the blog.

For now here is my image “lanterns” and the overall winning image (and my favourite too) a stunning shot titled “Alpine Choughs” taken by Robert Pogson.

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“Where can I buy original Art in Manchester and why should I?”

The appetite for owning original works of art has grown steadily over recent years.  Maybe because it is one way to make a house feel individual in these times of flatpack ubiquity.  A well-chosen piece of art can reflect a chink of character of the owner and prompt a smile or moment of pause in the thick of our busy lives.  No bad thing at all and not something that often happens with a Billy Bookcase.

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I’ve been asked the question a few times this year “Where can I buy affordable original art?”.  As I am based in Manchester my answer is somewhat limited but here are the options that I know about in my locality:-

  • ArTzu Gallery on Ancoats near the Art Deco Express Building.
  • Artland Gallery under the Quaker Meeting House opposite Central Library, Manchester.  An exciting new venue which ran a stunning exhibition of Jan Chlebik‘s  cityscape photography recently, latest exhibition is by New York Times photographer Christoph Bangert (see image above).
  • Blyths art gallery central Manchester.
  • Castlefield Gallery close to Deansgate Metro Station.
  • Colin Jellicoe Portland Street, Manchester.
  • Comme Ca Art various spots including upstairs at the prestigious Lowry Hotel, Salford/Manchester border.
  • Cornerhouse Projects (downstairs in the bar) close to Oxford Road Station, Manchester.
  • Cube Gallery (architectural related work)  see upcoming exhibiton from award-winning photographer John Davies.
  • Islington Mill, Salford/Manchester border.  Growing artists collective with studios and galleries, often special previews & shows.
  • The Lowry, Salford/Manchester border.  Has occasional exhibitions and work for sale from artists (often local).
  • Manchester Craft and Design Centre Favourite spot for emerging work, textiles, painting, photography …. all sorts.
  • Mooch Art new venture in Northern Quarter plus online gallery selling mostly local artists; painting and photography.
  • Revolve Gallery used to be Manchester-based, moved in Sept 2010 to an impressive space in Clitheroe (just north of Preston in the Ribble Valley).
  • Richard Goodall Gallery Northern Quarter, mostly illustration and photography linked with music promotion and posters, had Leonard Cohen’s work on show last year.
  • Waterside Arts Centre (Sale) nice Gallery space featuring local artists all media from painting, photography through to mixed meda and between.
  • Wendy Levy Gallery very respected Gallery based in West Didsbury top notch artists represented here including Liam Spencer.

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Finally, just in case you find galleries a little intimidating, then you might want to check out a new event on the calender, it’s the Buy Art Fair 24-27 Sept 2009 which enjoyed a very special inaugural launch last year with 3,200 visitors and over 200 artists on display, well staged at the nice, light and airy Urbis, Manchester.  Never spend more than the price of a new sofa, prove your skill at spotting new talent, support creativity and art, make your home original and breathtaking and you never know you might make some money on it too!

UPDATE : For an alternative take, check out a great blog run by a New York Gallery owner Ed Winkleman.  His blog is a really useful place to pick up terrific candid advice on the art world, the nitty gritty of running a Fine Art gallery and to see how sales are going on the other side of the pond.

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Manchester artist Ben Kelly’s new exhibition “Painting the Blues” @ Manchester City FC Museum …

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Award-winning local artist Ben Kelly had a busy time last week.  Sadly, I couldn’t make his Preview Night due to work commitments, but judging by all the feedback and coverage, things went very well indeed.

His exhibition is called “Painting the Blues” and features new work created over the last 12 months.   The aim was to capture the highs and lows of Manchester City Football Club.  Any City fan knows more than most, the world of football is a hugely unpredictable one, where “emotions change from triumph to despair in the space of ninety minutes”.

Even for a club with Manchester City’s history, the last 12 months have been a rollercoaster, yet Ben was given free rein by City to wander wherever he wanted, with unprecedented access to witness activity behind the scenes  aswell as the regular matchday frenzy.  One has to congratulate the club for creating the opportunity for an artist to try and capture the season on canvas and as a huge City fan this was pretty much a dream assignment for Ben.

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He is certainly an artist on the rise; having won a massive £15,000 in December 2006 in a competition organised by the Lowry and Umbro called “One Love – The Football Art Prize”.  He beat 800 other artists from all over the country to scoop the prize when his painting “The Final Whistle” was chosen by a panel of judges, one of whom was Turner Prize winner Mark Wallinger (in the news this week with his ‘Angel of the South’ White Horse commission).
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Next project on the horizon was an exhibition at the prestigious Cheshire gallery Firob & Peacock in Knutsford.   This work showcased some of Ben’s landscape paintings; each piece took the viewer by the hand on a beautiful foray into the woods.  Featuring forests and icy stillness, this exhibition was full of intense atmospherics, Lowry-esque figures almost lost within impossibly elongated trees.  Delicate tints and the occasional dramatic splash of vividity created wonderfully engaging work.

Grab the chance while you can, and see Ben Kelly’s latest work here in Manchester at the City of Manchester Stadium Museum, open now and ending on the 31st March 2009.  All work is for sale, though I understand quite a few were snapped up at the Preview.

Which leads me on to the subject of my next post …. “Where can I buy original Art in Manchester and why should I?”.   Yes indeedee, coming soon … check back on the blog tomorrow (probably!).

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19 steps to be a great Photographic Assistant … and beyond.

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Many people dream of a career as a photographer and there are certainly a myriad of ways to get into the photographic industry.  My own path started by studying at college for 3 years, but the learning really only properly began when I became a Photographic Assistant in a large commercial studio assisting 10 different photographers.  I worked hard and learned a great deal.

I have now worked as a photographer for well over a decade and I have gleaned a fair bit of insight on the question of “What Makes a Great Assistant?”.  So, using my own experiences, reading around and from listening to the many folk I have met along the way I have attempted a potted guide which I hope may prove helpful to others .

Of course, it is all subjective (and by no means definitive- I certainly don’t know it all!)  so take or leave whichever bits you like.

  1. Find out and learn as much as you can about the key bits of equipment used by professional photographers in your area (and I’d include software in that too).  A good place to look would be the main source for hiring professional gear, ask them what gets hired out the most … what manufacturers people tend to use.  This increases your value as an Assistant if you can show a range of knowledge and familiarity with all the latest kit.  Hire it out yourself or strike a deal testing it for the hire company.  If you are at college use every piece of equipment regularly and know it backwards.
  2. Learn the going rate for an Assistant, never try and undercut others … usually not a clever or productive route to go especially if you are just starting out without a decent reputation.  Different commissions will have different budgets, often Digital Assistants get more than Studio Assistants.  Be prepared to work long hours on some shoots and get no lunch break.  On another day you may find you finish early and go to the beach.  To get the best answers ask other experienced Assistants, if you ring up a photographer, most will give you an honest answer.
  3. Shoot as much as you can yourself, develop your own style, practice using all available equipment and cultivate how you like to do things and slowly build up a folio and a nice set of reliable photo gear.  Once you start thinking like a photographer you should become a better Assistant; able to anticipate and be a real asset.
  4. Be reliable, discreet, loyal, unobtrusive but helpful and decisive when necessary.  Being adaptable, easy-going and good company helps.  Don’t underestimate how important good social skills are in being a good Assistant.  Each photographer is different, some will prefer you to be gregarious and take the pressure off them with models and Clients etc. However, be aware that others may hate that!  You need to read people and their needs pretty well.
  5. Ask if you don’t know how to do something. Never just muddle along and then end up breaking a piece of equipment.  Though not too many questions, or you will make the photographer nervous!  If you can, ask someone else who might know an answer (other Assistants or people who work at the studio if it is a Hire place?).
  6. Learn skills from everyone else connected to the shoot.  Watch how they work as part of a team, how do they conduct themselves and use their skills?  Be helpful to everyone;  yes it is a nice way to be and it can lead to other contacts and work.  Network and cultivate useful contacts yourself and make recommendations should someone come looking.  What goes around comes around.
  7. Keep good notes and contacts of anything you learn.   You think you will remember it all but you won’t.
  8. Create an ideas and influences book. Read, visit and study other photographers.  Come up with a shortlist of your favourites from the emerging to the worshipped.  Analyse why you like them.
  9. Never forget your main role is to support … you are all part of a team, don’t try and take over but a useful suggestion at the right time can be invaluable.  Cultivate showing the right amount of initiative, don’t always be waiting to be told what to do.
  10. Always be a little early, NEVER be late.  If, for some reason, you will be late then phone ahead and let the photographer know.  Don’t turn up with a hangover.
  11. Be available should the photographer need you, “busily hovering” is a very useful skill.  If you go off to do a task then let the photographer know.
  12. Dress to blend in, you’re a creative; you can be stylish but practical.
  13. Be keen and able to drive a car and a van, try and have a clean licence.
  14. Don’t moan on a job, if a photographer is a nightmare then do your best on the job and don’t work for them again.
  15. Keep your private life out of work, put your phone on silent&vibrate. Yes, you are running a business, but when you are on a job, don’t take other work calls unless absolutely necessary.  Try and make your calls back at a suitable moment if there is such a thing.
  16. Don’t approach or show your own work to a Client on a job.  If you fancy collaborating with a Model, Make-Up artist or Stylist then agree to meet up some other time.  It might be nice to let the photographer know of your plans as they did put the two of you together in the first place and it could be better than them finding out from someone else.
  17. Do a business course, understand the market you are in, look at other Photographers and how they have positioned themselves within their sector.  Do you want to specialise, do you want to be your own boss?  Read lots about marketing a creative service.
  18. Understand copyright and Intellectual Property, protect your work. In the UK Own It is a good place to start and often run free workshops and Copyright Action has some excellent advice and links.
  19. Get feedback on your work, listen to advice, enter competitions & awards but always read the small print, make sure they are not Right’s Grabs:- a great place for advice is Pro-Imaging: Competions the Good & the Bad.  Keep shooting, but follow your own instincts too.  Love what you do and never lose sight of enjoying taking photographs.

I have listed some links for obtaining critique on your photography below.  I am not endorsing any of these and the standards of photography submitted varies but you may find it is useful for looking at other work and getting feedback.  Please let me know any others which you have found worthwhile and I can add them to the list.

Photoassist … good UK Assistants website and forum, features a showcase gallery for current test work.
Photo-net
J M Colberg website … US-based, you have to pay a fee for this one ($75) see further comment on this offer at the “A Photo Editor” site.
Photosig
Photozo.com Forum
Photopoints.com
PBase Forum
Flickr photography critique group.
Modelmayhem.com.  You can have a profile and if offers critiques but you have to join, mostly fashion.

For actual one-to-one reviews

Format Festival. Photography Festival in Derby, UK.
Redeye. Photography Support Group in Manchester, UK.
Rhubarb Rhubarb. West Midlands, UK based photo-development Agency.

To finish off, here is a link to some respected and experienced photographers on the Magnum blog, featuring brilliant work and some insightful advice on being a photographer ….  “Wear Good Shoes – Advice to young photographers”

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National Photographic Portrait Prize @ the Lowry

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The prestigious National Photographic Portrait Prize (2007) is occuping the light and airy mezzanine floor at the Lowry, in Salford, until October 12th 2008. This is a must-see for fans of photography in general and portraiture in particular. We are lucky to have this exhibition touring in the North West as it is usually only viewed at the National Portrait Gallery, London. For 2007 there were 6,900 submissions by 2,700 photographers from around the world.

It provides an opportunity to see a compelling array of images which highlight the sheer depth and power of a single image. The 60 shortlisted photographs have been taken all over the world and feature wildly different subjects, styles, technique and atmosphere; professional and amateur hang side by side. Should you go with a friend don’t be surprised if you end up arguing the merits of your favourite and casting your eyes heavenwards on one or two of those included.

The images are framed and printed in a variety of ways; sizes vary from 10 x 8 to a couple which fill an entire wall. I presume each photographer was allowed a free hand to choose how their work was hung? This helps to make each shot feel individual and hopefully allows the viewer to remember this is not a series but an opportunity to celebrate the art of great portraiture.

I cannot really argue with the First Prize choice a brilliant and powerful study by Jonathan Torgovnik taken in Rwanda. I also had a great deal of time for the Second Prize winner “Lucila, a.m.” (photographers site here).

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A slow-burner which quietly snuck into my brain. I don’t remember much of a connection the first time I viewed it, but I was drawn back to it time and again … close my eyes and I can almost place myself in that same room with the warm sun streaming in through the huge glass backdrop.

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Charlie Crane (who I have blogged about earlier in the year when he was selected for the New Contempories showcase) has made it into the 60, he has such lovely prints and a real sense of style. Colin Pantall‘s “Sofa Portrait #3″ is part of a series which has had a fair amount of praise and publicity already …. subtle and captivating.

If you cannot make it to the Lowry in time you can view all the Winners and those shortlisted on the National Portrait Gallery website. Looking at images on a computer screen is nowhere near the experience gained in a gallery space, but certainly better than nothing! Entry for the 2008 Photographic Portrait Prize Award is now closed and the winner will be announced in November.

Were the “Best of Manchester Awards” any good? … in fact do Awards mean anything?

There seems to be awards being presented everywhere you look nowadays, so many in fact that it is impossible to keep up with everything.

I am all for being judged by your audience, critics and peers but one has to ask the question how impartial is impartial? Nowadays, I have no time for Awards with heavy sponsorship … step forward the Brits which is owned by the BPI (British Phonographic Industry aka the British Record Industry). It claims it’s aim is to be “supporting young people in music and education” aahhmm … surely it is about keeping British Music in the headlines and rewarding those that have mastered playing the game and who sell lots of records. I am not saying all Brit winners are talentless but it is just that, as far as I can see, the BPI are just handing out awards to those already successful.

More meaningful are those Awards which generate word-of-mouth and are trying to give a helping hand to those talented (often innovative) souls who have not yet cracked it. Here you may find artistic types who possess a huge belief, a love for their chosen field crikey some folk who might even be doing it for fun and not money.

The cynical amongst you will shout that all Awards by their very nature are never unbiased, yes, true I agree but I guess I’m just saying that some have their hearts closer to the right place than others and this is often down to the Judges sitting on the panel and whether there is any kind of hidden agenda to the Awards.

A check on the Judges for the 2nd “Best of Manchester Awards” held at Urbis recently were Peter Saville Graphic Designer and all-round Manchester Design Guru, Miranda Sawyer (writer, broadcaster), Luke Bainbridge (Music Journalist, Editor Observer Music Monthly), there was the head of A&R at Universal Music, with nods to respected bods @ Castlefield Gallery (Manchester) and Blueprint Music Studios and Elvis Jesus head honcho covering the fashion angle. So a pretty eclectic, informed and opinionated group. Things are lookin’ good.

300 entries fought to prove their work illustrated the best creative thinking and innovation in Manchester, things were wittled down to a shortlist of nine covering Art, Fashion and Music. There is an exhibition to accompany the Awards on the 4th Floor at Urbis until the 28th of September. From the work on show I had a couple of personal favourites … none of which turned out to be the eventual winner so there we go – what do I know !! Still I’d like the share them with you anyway :-)

I loved the graphics and ethos of the Red Deer Club “a small label with big ideas” and brainchild of nu-folk fan Duncan Sime.

On the 4th of May last year, UHC a socially-conscious Design Studio and Artists Collective who deal in “the finest blend of art, design and action” took to the streets. Helped by volunteers and “As part of a protest campaign against consumerism and climate change, 88 hoardings were covered with cream coloured ‘hoods’ emblazoned with the message, ‘trees breathe ads suck’.” (Manchester Evening News). UHC will always annoy some, but their work often seems to harness talent, invention and maybe a measure of eccentricity. Surely it’s not only me who applauds their aim to “present those traveling to work with a special gift – a few precious moments of peace and beauty in place of the incessant noise of advertising”. Wonderful illustrations too …

Finally I was rooting (pun not intended) for Paul Hartfleet to win in the Art Category with his Pansy Project. “Paul revisits locations where homophobia has been experienced and plants pansies. These self seeding pansies act as a living memorial to this abuse and operate as an antidote to it; some pansies wither whilst others thrive in car park borders and windswept road verges. Each Pansy’s location is named after the abuse received and the project is now worldwide with its very own website www.thepansyproject.com.

I know it appears I am blinkered, as his project heavily features photography and Paul’s current project features benches! but trust me, take a trip over to his own site and blog and see more of his fantastic work and ideas.

The actual winners were :

ART: Naomi Kashiwagi

MUSIC: Richard Cheetham, High Voltage

FASHION: Simon Buckley, Rags to Bitches

One final little footnote, I discovered a fab little Manchester band playing to the crowds at the Awards called Keith, a little bit Doors/Radiohead/Talking Heads all delivered with the customary Manc twang and swagger.

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